Electro Voice Serial Numbers
1932273 is the serial number on the bottom plate it says ' VOX. How to date a vox wah? Discussion in '. Electro‑Voice engineers leading‑edge sound reinforcement solutions with products designed to provide best‑in‑class performance, reliability and value.
Electro-Voice Design 664 cardioid powerful microphone Description and Programs The Electro-Voice Design 664 can be a cardioid microphone of the powerful type with just one moving element. It will be designed particularly for general public address applications. The cardioid design is attained through make use of of three good entrances situated in the back again of the diáphragm. These thrée good gates, each making use of the correct acoustical impedance, mix to type one effective back entry which varies in range from the diáphragm inversely with frequency. The causing stage and amplitude situations generate a homogeneous cardioid design over a broad frequency variety. This adjustable front-to-back distance along with dynamic-type structure affords high level of resistance to mechanical surprise and eliminates proximity effect.
The Model 664 is an all-purpose open public address mike created to fulfill specifications of wide-range duplication under a great range of circumstances. Because of its excellent and uniform polar reaction, it is certainly especially helpful in locations where traditional feedback, normal sound, and serious reverberation exist. The preferred instrument for serious home and semi-professional recording, the 664 will be furthermore an perfect option for high quality sound reinforcement systems, especially where acoustic problems can be found. It is definitely equipped with a pop-proof wire mesh grille which reduces wind and breathing blasts. The Model 664 may end up being used on a flooring or desk stand up or transported in the hand. This all-purpose mike functions the exceptional Electro-Voice AcoustaIloy® diaphragm.
Electro Voice Parts
The nón-metallic diaphragm enables smooth response over a broad frequency variety and withstands higher humidity, temperature extremes, serious mechanical shock, and the corrosive effects of sodium surroundings. It is definitely virtually indestructible with normal use. Specifications. Generating component: Active.
Frequency response: Even from 60 to 15,000 Hz. See Body 1. Impedance: 150 ohm and higher impedance. 150-ohm impedance is usually balanced to terrain.
Microphone is definitely born for high impedance unless 150 ohm is definitely required. Impedance Choice: Choice is produced at wire plug.
To change from higher to 150-ohm impedance, proceed white business lead at airport 2 to terminal 3. Observe Figure A. Output Degree: 150 ohm, -58 dB, EIA awareness rating, -149 dB.
Great Impedance, -58 dB, EIA level of sensitivity ranking, -151 dB. Polar Pattern: Cardioid, standard front-to-back discrimination. See Number 2.
Diaphragm: Electro-Voice Acoustalloy®. Case: Pressure-cast zinc. Surface finish: Satin Chrome (available in non-reflecting gray as Design 664A or in ornamental money as Model 664G. Dimensions: Diameter: 1 7⁄ 8', maximum. Duration: 7 3⁄ 16', not really including stud. Discover Physique 3.
Net Weight: 1 lb ., 12 oz., without cable. Wire: 15 feet.
Two-conductor, protected, synthetic rubber jacketed, broadcast type, equipped with Model QC-4Meters Electro-Voice Quick-Change Connector. Stand up Coupler: 5⁄ 8'-27 line on stud. Various Components: Design 419 Table Have. “IMPEDANCE CHANGES ARE MADE ON Cable PLUG. PLUG Covering AND NO. World clock free download for nokia c3.
1 CONTACT ARE GROUNDED. 2 HIZ.” (higher impedance environment) “CONTACTS NO. 3 AND 4 150 Ω.” Text message and drawings above are usually from Electro-Voice Anatomist Data, Design 664 Cardioid Mike, Part Zero. 533180, Sept, 1966, kindly supplied by Mister. Ethan Wetzell, Electro-Voice Technical Services. Webmaster's note: At initial I had been worried that the Electro-Voice Model 664 would break with custom on this web site, since all various other microphones seen on these web pages were used or are still becoming utilized at broadcast amenities and music recording companies. The 664 will not suit these groups.
But after talking with Mr. Ethan Wetzell óf thé E-V Complex Services employees, I made the decision to produce this page for the 664. Wetzell's much-appreciated discourse is cited immediately below: Individually, I wouldn't consider the 664 a “studio mic;” it was really created and used for Pennsylvania programs (although what quaIifies as a “studió mic” is definitely very subjective). Simply because far as put out applications, they weren't widely used for radio, but had been relatively popular with hams. Now, that mentioned, the 664 is certainly the vintage Electro-Voicé mic that l possibly get the almost all questions about. I'michael not certain if that's simply because of the amount that are floating about, the way it sounds, or the look of it, but we deliver out even more 664 data bed sheets than just about any some other vintage microphone. These furthermore possess a inclination to convert up in modern pop lifestyle.
It seems that at almost any stage, I can turn on VH1 ór MTV and observe these in some music video (almost all lately, I noticed one getting used in a movie for the music group Switchfoot). On their last trip ZZ Best used 664s that experienced become retrofitted with RE510 tablets (they furthermore used them during the Stone and Roll Area of Fame induction special that aired on VH1). In these situations, the charm is obviously cosmetic, and those (and related) uses may become one of the items that nevertheless generates their reputation.
Because of aIl this, I wouId find their existence on your web site appropriate. Even though they don't quite “fit” with the transmission or business idea of your web site, they were, and keep on to be, a quite significant miniphone in background. Truly, Ethan Wetzell Electro-Voice Techie Services Download the fór this mic.
Today at PS us dot com: 70's i9000 30 days nears its close with a quick look at some encouraging but lesser-known mics of the 70s. If you are making use of any of these pieces in the studio room these days, drop us a range and weigh in.
Over: the Shure SM53, a high-end powerful cardiod that seems to probably have been recently Shure'h reply to the RE15? I've become trying to pick one these up on eBay, no fortune however anyone? And talking of the Re also15 after watching the costs slowly rise on eBay for the previous season, I finally selected up one of these. Expect some audio videos/shoot-out here soon.
I continually overlooked these in the past, i thought, I have an RE20, what's the stage but I finally acquired to understand. I recently proved helpful with a contractor/tech from a main live-sound firm who had 1/2 the stage mic'chemical with these factors, swears by 'em in any case, I was super-curious. They are apparently really hi-fi with really accurate off-axis reaction. Even more to arrive While on the subject matter of dynamic mics above, the Turner Model 10 circa 1972. Those of you who've ended up following PS for a even though will understand that I are a large fan of imprecise Turner models, specifically the flagship models like the 510 I lately purchased my 2nd 510 for and I possess to sadly survey that it can be not as awesome as the illustration I have got acquired for yrs Anyhow, the Design 10 appears to have got happen to be a replacement for the 500/510 series might be a good purchase for anyone looking for more fascinating dynmics mics Above, the AKG G190 and Deb124!
Finally some info on the D124 these convert up in my previous 70s AKG catalogues (most of which you can download right here on PS us dot com), and I actually make use of this as the at GCR, but I experienced not recognized that it had been the replacement for the Deb-24. The D-124 is certainly an amazing little piece of engineering, very good smooth audio and incredibly small in size. G-190s are usually much even more common, I are likely to find these on CRList very often. Over: Shure SM5 circa 1969. I like the similar SM7, use it frequently, it seems to possess become relatively of a standard-bearer singing mic these times artists actually request for it in the facilities the same method some will question for an 87 or 47 or 58.
The SM5 is usually much less common, no longer made, and consequently extremely costly. Are any of y'all using SM5s i9000 for music or vocal recording these times? Above: Sony ‘Superscope' top quality Chemical-77, D-37, and M-55 circa 1969.
A Chemical-37 or D-37 Fet is definitely very high on my wish-list Never ever used any of these models. Above: the Electrovoice Re also55 is definitely released (1969).
Fascinating to discover that the RE55 has been the successor to the 655. I have, very quite old set circa 1950, and amazing they tone great. Pretty high self-noise for a powerful, but for drum expenses it's in no way a problem. Anyone using the RE55?
Seem pretty uncommon Above: The AKG 412 circa 1972. Seems to be the final development of the D12 prior to launch of the still-standard 414. Anyone making use of a 412? Will be it significantly various than a circa 70s 414? Article selection. AKG's i9000 C412 was certainly the forerunner of the “modern-day” G414, launched as a FET edition of the Nuvistor-driven C12B (hence the prefix 4 which, in AKG'beds nomenclature of the period, denoted a FET microphone).
It transported the exact same legendary “brass” CK12 capsule as its predecessors (M12, M12A, Chemical12B), a 3-polar pattern switch (omni/cardioid/bi-directional) instead of the continuously adjustable 9 polar patterns of the earlier valve series, and a -10dT (-20dM on exact same rare situations) pad switch that has been placed after the FET element. There had been no HP filter whatsoever. Nevertheless, the BBC (at that time a major customer of AKG microphones) complained strongly about the limitation of simply 3 polar patterns (plus some problems with an easily-distorting FET amplifier) and place significant pressure on AKG's RD group to remedy the scenario.
Therefore the D414 has been given birth to. The initial models (M414C with Din-standard connector, or C414E with XLR-standard connector) shared the same AKG-custom have bracket (propagated equally by D12A, D12B, D412 earlier G414) and the same “brass” CK12 supplement. However, they wore a redesigned amplifier (which placed the attenuator sleeping pad between capsule FET element, thus avoiding the overload issues of D412's design) and a 4-polar design switch. Following version had been the classic-of-classics M414EB which greatly benefited from the add-on of a 3-position pad change (0/-10/-20dN) a 3-placement HPF switch (toned/75Hz/ 150Hz .) and the loss of the AKG-custom mount in favour of a direct XLR output connection.
Electro Voice Re20 Serial Number
So, in a nutshell, G412's are outperformed by earlier D414's in every method, nevertheless collectability (owing to scarcity), plus the wonderful “brass” CK12 capsule guarantee that inquiring costs for this mic remain sky-rocketed.
Electro Voice Mic
There are usually several ways to figure out when a Fender amp has been produced. Mobile suit gundam 00 season 1 episode 1. Very first make use of the aesthetic functions to get a variety of possible years. Following, (if relevant) look for the time program code on the tube graph. If your amp dosen'capital t have got a time code, flip the amp upsidé-down and check the transformers, and audio speakers for their manufacturer codes. If possible, open up up the chassis and examine a few of the planting pots' and capacitors' producer codes. Remember, many parts could have been changed over the decades, speakers whack, caps dried out out, transformers dissolve down, and pots wear out.
Right here is certainly a great hyperlink to a that tracks sales information for specific amp models by the 30 days. Date Code: Broad panel, narrow panel, brownish, blonde, and dark face amps have got a date code hand-stamped on the pipe chart. This program code is made up of two words. The very first letter converts to the 12 months and the second to the 30 days.
The reissue amps furthermore made use of this code. Illustration: FG=July 1956, QA=January 1967, and a reissue CG=September 1992 Extra Details: EIA Source-Date Rules: Digital components such as transformers, potentiometers, audio speakers, and some capacitors are usually usually stampted with a day program code indicating who manufactured them and when. The code follows the format: XXXYY ZZ whére: XXX = a twó or three (perhaps four on newer amps) digit number indicating the producer. (see chart beneath) YY = is a one ór two digit program code indicating the calendar year. If it'h a one digit year you require to determine the proper 10 years of the amp some additional method. ZZ = a amount from 1 - 52 showing the week of the season. Remember, your amp is usually newer than the newest component.
Therefore if you find pots from past due 68 and transformers from early 69 you can become pretty sure your amp is certainly a 1969. Date Codes Notice Code Vintage Calendar year Reissue Yr Month A - 1990 Jan N - 1991 February G 1953 1992 Drive Deb 1954 1993 April E 1955 1994 May N 1956 1995 August H 1957 1996 July L 1958 1997 August I 1959 1998 September J 1960 1999 Oct K 1961 - November L 1962 - December M 1963 - - N 1964 - - O 1965 - - P 1966 - - Q 1967 - - Common Fender Resource Codes Code Manufacturer Part(h) 67 Eminence Loudspeakers 73 L.N.
Lansing (JBL) Audio speakers 137 CTS Potentiometers, Loudspeakers 220 Jensen Speakers 235 Mallory Capacitors 285 Rola Audio speakers 304 Stackpole Potentiometers 328 Utah Audio speakers 391 Altec-Lansing Audio speakers 433 Cleveland Loudspeakers 465 Oxford Speakers 606 Schumacher Transformers, Chokes 649 Electro Voice (EV) Audio speakers 830 Triad Transformers, Chokes 1098 Pyle Audio speakers Serial Number: There will be no details readily available for dating Fender amps by serial quantity but there are usually people operating on it. Outlet Program code: In 1963 Fender stoped using model numbers to identify schematics and began making use of the design name and an designated circuit quantity. These signal numbers which are usually located on the tube graph can end up being usefull for getting a rough time on an amp. Fender usually used the same circuit for several yrs so this will be not a extremely accurate technique for amp adult dating. The code is basic, the initial two words are usually the revision, where AA is definitely the initial revision, Abdominal can be the second, etc. The following one or two numbers are usually the 30 days where January is 1 and Dec is usually 12. The last two numbers are the calendar year.
Instance: Stomach763 = 2nd revision, Come july 1st, 1963 AA1070 = First revision, Oct, 1970 Misc Relationship Information: Silver precious metal encounter amps with the aluminium trimmed grilles are from 67 or 69. The fist Expert volume handles were first set up in 72. The raised “Fender” grille logo dropped its end around 76.
There are exclusions to this principle like the thé Bronco. Fender set up casters on some bigger amps and cabs starting in 72.